The study intends to create a fortified profile of Alexandru Burlacu’s critical texistence mode. The author attempted to expand and positively exploit the conceptual significance of „the textiad” that is put into circulation in the native space by the critic Alexandru Burlacu. The author insists on the originality of this distinctive and recognisable writing in virtue of the temerarious position the critic who rewrites the critical epic of national textual wholeness, on dynamic and dialogic postmodern bases, having a new hybrid, labyrinthine coherence.