Summarizing the observations of the Bakhtin’s works, the ontological and theoretical literary content of its fundamental chronotope concept- the Romanian chronotopeis revealed by its delimitations of the physical, physiological, cultural (historical) chronotope, of the artistic chronotope of other arts, of the literary chronotope of other types of verbal creativity and in particular the dialogic novel’schronotope of the one dominant in the monologic chronotope. The role of the „principle of image chronotope” is emphasized by the disclosures of the conceptual interferences of the set of concepts: chronotop, dialogue (ontic), intersubjectivity, hetero-mundaneness, polyphonic composition (superdiegetic), heteroglossia, heterology, heterophony, bivocacy , and by the metalinguistic redefinition of literary formalized motions.