<?xml version='1.0' encoding='utf-8'?>
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<creators>
<creator>
<creatorName>Burlacu, A.G.</creatorName>
<affiliation>Institutul de Filologie al AŞM, Moldova, Republica</affiliation>
</creator>
</creators>
<titles>
<title xml:lang='ro'>Marcela Benea, un suflet stingher</title>
</titles>
<publisher>Instrumentul Bibliometric National</publisher>
<publicationYear>2013</publicationYear>
<relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>1857-1905</relatedIdentifier>
<subjects>
<subject>minor poetry</subject>
<subject>inversion</subject>
<subject>intertextuality</subject>
<subject>idyllic pattern</subject>
<subject>modernist and
postmodernist poeticity.</subject>
</subjects>
<dates>
<date dateType='Issued'>2013-04-01</date>
</dates>
<resourceType resourceTypeGeneral='Text'>Journal article</resourceType>
<descriptions>
<description xml:lang='en' descriptionType='Abstract'>Marcela Benea’s poetry is modern, somewhat unusual for the literary arid climate of the seventies. It is discreet through an intimate note, it’s purely feminine, it’s a mark decisively personalized even from her editorial debut. Relatively small, her poetry, in its essential moments, is an expression of a sorrowful and lonely soul that totally disagrees with the fashion of the time. Her poetry is minor, closed like asceticism, masking the risk and fear of deconstructing a strong tradition of “stage 
poetry”. It comes in counter with „engaged, militant poetry „. In terms of language, tone and sensitivity, it expresses a different age of poetry, better said, a transition to a new paradigm.</description>
</descriptions>
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<format>application/pdf</format>
</formats>
</resource>