Th e artistic tapestry, as a fi eld of decorative arts, knew in the second decade of the XXI century conceptual approaches and complex capitalizations of the thematic area, important deepenings of the morphological and syntactic aspects regarding the process of compositional structuring of the image fi eld and, last but not least, of the unique technological realization of the work. Th e latter, being focused both on the classical methodology of weaving the textile product, and on the mixed technologies of joining the fabric with embroidery, or on achieving the aesthetic expressions and message promoted by the stylistics of assembly and collage, ensured the diversity and the originality of works in the domain. One of the distinguished features of the artistic tapestry of the period is the aesthetic capitalization by a large number of plastic artists of the image through the extensive practice of traditional felt modeling technology, which contributed to achieving chromatically nuanced and subtle expressions of the work.