Articolul precedent |
Articolul urmator |
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Ultima descărcare din IBN: 2023-07-16 16:52 |
SM ISO690:2012 MARIAN, Ana. Chipuri feminine în sculptura moldovenească. In: Studii Culturale, Ed. 3, 28 septembrie 2021, Chişinău. Chişinău: 2021, Ediția 3, Vol.3, pp. 95-102. ISBN 978–9975–84–166–5. DOI: https://doi.org/10.52603/sc21.11 |
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Studii Culturale Ediția 3, Vol.3, 2021 |
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Simpozionul "Materialele Simpozionului Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului." 3, Chişinău, Moldova, 28 septembrie 2021 | ||||||
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DOI:https://doi.org/10.52603/sc21.11 | ||||||
Pag. 95-102 | ||||||
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Rezumat | ||||||
Alexander Plamadeala was the first who created sculptural female images, among which were not only members of the sculptor's family and his colleagues in the workshop, but also other modern women that attracted his attention with the beauty of their external forms. The female sculptural portrait performed by Lazar Dubinovsky contains romantic, harmonious and gentle images. The women’s sculptural portrait in the work of Klavdia Kobizeva focuses on everyday life and the images created by her are deep ones. The sculptor Brunghilda Epelbaum-Marchenko makes portraits in color, opening a new approach to creating sculptural likenesses. The sculptor Alexandra Pikunova-Tyrtseu conveys the images laconically, thereby creating a balance between the feelings and thoughts of the characters. Female images in Moldovan sculpture are always convincing, as the representatives of the epoch, contain such a proportion of tenderness, which especially attracts the audience. |
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Cuvinte-cheie sculpture, female portrait, psychology, modernity |
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