Chipuri feminine în sculptura moldovenească
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2023-07-16 16:52
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MARIAN, Ana. Chipuri feminine în sculptura moldovenească. In: Studii Culturale, Ed. 3, 28 septembrie 2021, Chişinău. Chişinău: 2021, Ediția 3, Vol.3, pp. 95-102. ISBN 978–9975–84–166–5. DOI: https://doi.org/10.52603/sc21.11
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Studii Culturale
Ediția 3, Vol.3, 2021
Simpozionul "Materialele Simpozionului Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului."
3, Chişinău, Moldova, 28 septembrie 2021

Chipuri feminine în sculptura moldovenească

Female images in moldovan sculpture

DOI:https://doi.org/10.52603/sc21.11

Pag. 95-102

Marian Ana
 
Institutul Patrimoniului Cultural
 
 
Disponibil în IBN: 11 noiembrie 2022


Rezumat

Alexander Plamadeala was the first who created sculptural female images, among which were not only members of the sculptor's family and his colleagues in the workshop, but also other modern women that attracted his attention with the beauty of their external forms. The female sculptural portrait performed by Lazar Dubinovsky contains romantic, harmonious and gentle images. The women’s sculptural portrait in the work of Klavdia Kobizeva focuses on everyday life and the images created by her are deep ones. The sculptor Brunghilda Epelbaum-Marchenko makes portraits in color, opening a new approach to creating sculptural likenesses. The sculptor Alexandra Pikunova-Tyrtseu conveys the images laconically, thereby creating a balance between the feelings and thoughts of the characters. Female images in Moldovan sculpture are always convincing, as the representatives of the epoch, contain such a proportion of tenderness, which especially attracts the audience.

Cuvinte-cheie
sculpture, female portrait, psychology, modernity