In the caricature genre of the Republic of Moldova, Alexei Grabco asserted himself as a cartoonist who, through his graphic sheets, raised to a new value the artistic and spiritual dimension of humoristic-satirical drawings. His field of creation includes scenes taken from the society of his time, as well as the results of, subtle and critical analyzes on topics related to morals, religion, culture, etc. Even if his works are part of the realism of the time, in which caricaturists such as Iurie Rumeantsev, Nicolae Macarenco, Zigfrid Polingher, Leonid Domnin are also asserted, the plastic artist Alexei Grabco stands out and devotes himself to extensive compositions in which the narrative plays a major role in highlighting the humorous and philosophical aspect. By involving the narrative in the creation of caricatures, the artist contributes to the amplification of the visual impact of the message on the reader. Along with the landscape, in which the multitude of characters are included, the dynamism of the compositional elements, the grotesque treatment of the human figure, and the details come to support the unfolding/perception of the narrative thread. In this context, it is noted that the expressiveness of the movements, captured from reality, represents the sonority of the graphic work developed by Alexei Grabco. The narrative, in the case of satirical graphic sheets such as “Change of personnel” (1959), “Preparing for exams” (1959), “Dniester, on your bank…” (1959), "Take them to the market and return..." (1960), "Passengers arriving by train at Comrat..." (1960), is also made present through the prism of non-verbal means of expression: color, line, shape, texture. These, in turn, highlight the predominant emphasis of the narrative topics. At the same time, they generate junctions in the narrative with satire, humor, and mockery.