The interior monologue is an important method of psychological analysis through which the writer creates a true and deep human model. It does not involve a determined interlocutor and does not require a response, and sometimes is considered an extension of replicas in a dialog. As a method of psychological characterization, interior monologue represents the character’s speech that expresses the deepest thoughts that are closer to the unconscious, previous to any logical organization, in their original condition. Expressing the character’s inner world is carried out by means of phrase at least syntactically; it gives the impression of thoughts as they come into his mind. Thus, the character’s monologue reveals the complex and contradictory character’s nature, uptight relationship between the individual and society, between „self” and „I”, or evokes the character in turning points in the attempting to understand him self. Sometimes, the inner monologue shows the richness of the inner world of the literary character. Thanks to this new kind of emotive communication – interior monologue and monologue-confession – the author presents the character’s inner world, trying to follow the consciousness stream, often desultory, to capture the reflections of states’ succession, echoes that subconscious triggers and runs between the consciousness-voices.