Nicoleta Esinescu’s special writing signs up in trend of young of actual occidental dramaturgy, characterized by using of a language which prefers the stereotype of spoken language, depending on the characteristics of the world on which the author fixes his/her attention. The most famous plays of the writer: Fuck you, eu.ro. Pa!, A(II) Rh , Zukerfrei etc., creates the impression that they are parts of a work with a musical structure, with a degree of a private coherence and with a logical structure of created world. These shorts monologues are a evidence of a assiduous dramatic exercise. But in the vulnerability of the characters it hides what the writer wants to reveal in background.