Articolul precedent |
Articolul urmator |
248 2 |
Ultima descărcare din IBN: 2023-08-16 18:36 |
Căutarea după subiecte similare conform CZU |
783.2(498)"XV-XVI" (1) |
Muzică bisericească. Muzică sacră. Muzică religioasă (132) |
SM ISO690:2012 GALAICU, Violina. Elementul autohton în cântarea de strană bizantină din arealul românesc în sec. XVI–XVII. In: Patrimoniul cultural: cercetare, valorificare, promovare, Ed. 14, 30-31 mai 2022, Chișinău. Chișinău: Notograf Prim, 2022, Ediția 14, pp. 142-149. ISBN 978-9975-84-171-9.. DOI: https://doi.org/10.52603/pc22.16 |
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Patrimoniul cultural: cercetare, valorificare, promovare Ediția 14, 2022 |
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Conferința "Patrimoniul cultural: cercetare, valorificare, promovare" 14, Chișinău, Moldova, 30-31 mai 2022 | ||||||
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DOI:https://doi.org/10.52603/pc22.16 | ||||||
CZU: 783.2(498)"XV-XVI" | ||||||
Pag. 142-149 | ||||||
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A fi rst and precious Romanian contribution to the Byzantine musical heritage of the designated period is contained in the codices from medieval Putna (most of them date from the XVI century). Th e psalters of Putna, led by Evstatie Protopsaltu, developed, through joint eff ort, a special melodic style, recognizable in the landscape of Eastern European Byzantine sound art. Th e songs written or transcribed in Putna (with texts in Greek and Slavonic) stand out for their melismatic luxuriance, the variety of rhythmic structures, the improvisational momentum in the melodic proliferation. Even if it does not bring into the equation phenomena of the scope of the Musical School of Putna, the XVII century makes the decisive turning point towards the Romanization of religious singing of the Byzantine tradition. Among the catalyzing circumstances of the process are: the reforming current coming from the West through Transylvania, the grounding of printing in the Romanian countries, the crystallization of the Romanian literary language, the act of uniting with Rome of a part of Transylvanian Romanians. Th e socio-cultural and identity ferment of the XVI – XVII centuries prepared the spiritual eff ervescence of the Brancovean era and the launch of the fi rst collection of sacred chants with Romanian text - the Romanian Psalticha by Filotei sin Agăi Jipei. |
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Cuvinte-cheie psaltic music, Romanian area, XVI – XVII centuries, medieval Putna Musical School, autochthonous specifi cs, identity element, the transition to pew singing in the Romanian language. |
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