The first two books of Liviu Damian, “Darul fecioarei” and “Ursitoarele” come with an exalted vision of the ego and the world, expression of a internal specific state of the youth’s author, yet a general rhetoric that dominated epoch poetry. Dedication and sacrifice in this poem are the mark of an exceptional life status. Under the auspices of this statute exists Lover, who loves for the first time in life, and Poet, who gives “half life” for an “inspired word”. But the way of seeing the world to exceptional mode romantic through the viewpoint of constant sacrifice and of a permanent dedication are the common place of soviet literature of the time. It’s about an official romanticism with roots in revolutionary romance postulated by dogma of the socialist realism, which was once the thaw hrusciovian, updated and relaunced as an emblem of the new communism “with a human face”. “Ursitoarele” announces a convulsive Damian, problematized, the poet counting on the paradox, on the acidulos response. He is not the open-hearted objector, but the protest is felt, reserved, firmly with the power starting to show