Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
325 3 |
Ultima descărcare din IBN: 2023-06-05 18:08 |
Căutarea după subiecte similare conform CZU |
762.2(478)"XX" (1) |
Arte grafice. Grafică (131) |
SM ISO690:2012 MUSTEAŢĂ, Elena. Procedee de organizare compoziţională în acvafortele din anii ’50 –’70 ai secolului al XX-lea din RSSM. In: Arta , 2013, nr. 1(AV), pp. 117-123. ISSN 2345-1181. |
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Arta | ||||||
Numărul 1(AV) / 2013 / ISSN 2345-1181 /ISSNe 2537-6136 | ||||||
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CZU: 762.2(478)"XX" | ||||||
Pag. 117-123 | ||||||
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The aqua-fortis genre has proliferated in postwar space of graphic arts, with some retard according to the linocut, in ’60s of XX century. Subsequently, the seventh decade was noted by a quantitative and qualitative increase of achievements of engravers working on the metal support – notably, prints executed in aqua-fortis, aquatint and drypoint techniques. Among artists practicing graphic art and participating in art exhibitions with works in aqua-fortis from those period (some of them well-done, others less) could be mentioned: Victor Ivanov, Petru Ţurcan, Grigori Fiurer, Boris Nesvedov, Leonid Grigoraşenco, Ion Tăburţa, as well artists from the younger generation: Georghe Vrabie, Filimon Hămuraru, Alexei Colâbneac, Vasile Negruţa etc. In terms of thematic aspect, the drawers’ predilection stands for subjects, which reflect the labor and everyday life, landscapes and historico-revolutionary theme. So, are explored, primarily, social or industrial subjects, through which are reflected achievements in the country, the historico-revolutionary theme, after which a considerable space in the art of postwar engraving is dedicated to the landscape and portrait.. Particularly important at this stage, is the contribution of young graphics in promotion of new meanings of interpretation of the artistic form and content. Thus, is remarkable the stylized tendency, often decorative, including traditional character elements in art form, being approached thematic subjects of elucidation of everyday life, lyrical or with general human connotation. The metaphor and the symbol become artistic processes, which are increasingly used to reflect the conceptual message of works. Are of interest prints, executed on the metal bracket in the eighth decade of the twentieth century, being different as techniques of figuration, and by the compositional-artistic approach in the related topics. Eloquent in this context, are prints made by: Ilia Bogdesco, Gh. Vrabie, Vasile Cojocaru, Emil Childescu, etc. However, the ’80s are characterized by drawers’ tendency to promote new approaches in artistic content, appear specific traits of genre, which gives to the graphic a well defined character. This period contributed indispensable to the formation of a strong professional contingent and its creative potential manifestation in many valuable graphic works of the time. |
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Cuvinte-cheie aqua-fortis, aquatint, dry-point techniques, print, сompositional processes, acvaforte, acvatinta, ac sec, stampă, procedeu compoziţional, офорт, акватинта, сухая игла, эстамп, композиционное средство |
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