Principii de organizare a decorului scenic în creația scenografului Anatolii Șubin
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792.021(478) (13)
Teatru. Artă scenică. Reprezentații teatrale (526)
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MALCOCI, Vitalie. Principii de organizare a decorului scenic în creația scenografului Anatolii Șubin. In: Patrimoniul cultural: cercetare, valorificare, promovare, Ed. 12, 28-29 mai 2020, Chișinău. Chișinău: Institutul Patrimoniului Cultural, 2020, Ediția 12, Vol.1, pp. 140-146. ISBN 978-9975-52-215-1.
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Dublin Core
Patrimoniul cultural: cercetare, valorificare, promovare
Ediția 12, Vol.1, 2020
Conferința "Patrimoniul cultural: cercetare, valorificare, promovare"
12, Chișinău, Moldova, 28-29 mai 2020

Principii de organizare a decorului scenic în creația scenografului Anatolii Șubin

PRINCIPLES OF ORGANIZATION OF STAGE DECORATIONS IN THE CREATION OF
SCENOGRAPHER ANATOLI ȘUBIN

CZU: 792.021(478)

Pag. 140-146

Malcoci Vitalie
 
Institutul Patrimoniului Cultural
 
 
Disponibil în IBN: 4 decembrie 2020


Rezumat

Anatolii Șubin is one of the most acknowledged theatrical scenographers, working in the Republic of Moldova since 1945. Being familiar with the new trends in dramaturgy, directing, scenography and other arts, Șubin creates his show sceneries by engaging in fruitful experimental searches. Via the performances staged in the first decades after the war, the visual artist laid the foundations of professional theatrical scenery art in Moldova. The directions of the development of autochthonous scenography were reflected in his elaborations. Thus, the emergence and establishment of new principles in the organization of sets and decor can be tracked down. Representative are the plastic solutions found for the scenic space in the 1960s, when a slight decrease can be noticed in the proportion of painting present in sceneries. Hence, we notice a certain exterior modernization of the techniques and means of expression. The new tendencies are reflected in the artistic creation of A. Șubin starting with the 1970s. It is a period of significant transformations in the theatrical decorative art of Moldova, which largely determined the vision of decorative art that the National Theater embraced in subsequent years.

Cuvinte-cheie
scenography, show, theatrical art, scenic space, decor, plastic expression