The article attempts to rehabilitate a disparaged art the animaton film/cartoon - and removed from the shrine of arts, which in the XXIst century is more and more visible in the media landscape through a variety of productions (short films, feature films, serials, TV shows, videos, commercials, generic etc.). The disappearance of boundaries allowed anl openness to a multicultural dialogue that can be traced in all the areas of art and culture. Particularly evident there are the interferences in the audio visual arts and, specifically, the animation film/cartoon, which became adequate space for the integration various arts. Namely, the animation film/ cartoon is notable for its ability to exploit various cultural formulas. The analysis of films from different geographical areas comes to highlight/value the animation film/cartoon as art, in which on one hand cultures interfere/merge, and on the other the elements of the various cultures are valued and promoted. Thus, elements of European culture find their place inherently in the production of the Romanian space (The Scream, 2010, directed by Sebastian Cosor). The oyher way round, in the European films elements of the Romanian culture can be traced (Follen Art, 2004, directed by Tomek Baginski). An example of items interference from other cultural areas can also be the film The Holy Thursday (1989, screenplay by Victor Pavliuc, directed by Valeriu Curtu) produced by Moldova-film studio.