Among several modalities of approaching music, we have found a fruitful one in the phenomenological apparatus, especially in the endeavour to disclose a part of the rich and in-depth meaning that the art of the harmonious sounds unfolds through its products. Starting from the phenomenality that defines the musical works and considering the enlarged possibilities offered by phenomenology as a method of analysis, the entire universe of interpretation and comprehension registers new dimensions for the different actors implied in the peculiar relation of man to music. There are some paradigms acknowledged by the phenomenologists within the topics of dwelling on the fullness of the musical logos in its potential of experiencing life. In this essay, we try to point out some of the opportunities of the phenomenology to research appropriately the musical phenomenon and to reveal much more about the ideal essence of a fundamental living order to which a human being has access.