The subject of the work: “Two brothers: Sleep and Death” is philosophical and consists of five parts. The composer emphasizes the philosophical line of his creation quite effectively, through various theatrical, timbral and artistic-interpretative means and methods. Throughout this short analysis, I have also highlighted the original piano-playing methods invented by the composer, as well as the various sound effects he used in the partitions of the string, wind and percussion instruments. The literary text of the work also reveals an atypical, quite original type of thinking and it also belongs to the composer.