The rhetorical process of the unlimited and ascending sacredness is written using various literary trends, with religious significances – in Liviu Rebreanu’s works. In “Pădurea spânzuraţilor” (“The Forest of the Hanged”), the foundation of the present study, the imaginary trip through the hell of an concentric universe, the look, the inner voice, are only a few lessons meant to determine the protagonist’s returning to the sacred origins of his person. Despite the concept of “new realism”, Rebreanu oversees “beyond” the dense material that “something” that can rise beyond convention and slogan, beyond thinker’s ego, this way out-bordering.