Adrian Marino imposed a figure of a scholar with an incontestable opening towards universality, towards the values of literature as it is and was, confirming the effigy of a spirit that shows creative amplitude and methodological character. The biggest terror Adrian Marino the critic and theoretician felt is connected with the presence of imprecision, of obscurities and of vague terminology in a field of literary ideas. He thinks that the latter should be dominated by precision, clarity and peculiarities of discussed notions. Certainly, there is no definite clarity or an absolute clue of rationality in the field of literary ideas whose structures consist of some ambiguity, vagueness. Belonging to literarity, synthesizing, adapting, using adequate analytical instruments represent undisputable arguments of his critical creativity.