Novels such as The days and nights of a late student and Donna Alba propose a compromise between the denied forms of wishes and the defense instinct, a heterogeneous mixture of fragments of the immune reality and pure elements, originating in the moment of youth.  To fulfill his wishes, the fictive ego adopts many masks he consciously compose in the labor of birth of an alter ego capable of satisfying social interference, personal ambitions, narcissistic projections or erotic obsessions. The tenacity of the characters in pursuing the ideal is doubled by intuition and personal happiness subordinates all other aspects of existence. The antagonistic projections coexist in full harmony, therefore, the Bovaric can be capable of deception, malice and promiscuity, while, in front of the beloved woman, he can be altruistic, patient and available. He has an exceptional emotional intelligence and creates scenarios capable of restraining in concentric circles the most efficient way of action to achieve the goal, but also distorts reality with the ease of the self adapted to the idea, whether delusional. Ambivalent trends are indispensable in the character's structure, they appear as symptoms and they constitute reflections of survival in socially defined dystopian societies.  The symbolic and analogical manner of constructing human drama, is outlined by local figures such as Mihnea Băiatu or Mihai Aspru, emblematic in universal literature through the image of a Don Juan, or Emma Bovary. As a defining feature of our protagonists, we note the exacerbated availability of fragmentation of the possible worlds and their assimilation as acts of conscience.