Many critics have the impression that the Romanian poetry, expressed in such a small Romance language, do not have the possibility to penetrate the large masses of the readers. It is argued also that such a small culture as the Romanian is able to contain only local or national images. The article demonstrate that only by local specificity the national culture/ poetry may become universal. Romanian poets – like the national symbol Mihai Eminescu – were preoccupied in the same time to stress the earthly and the cosmic space, to emphasize the nature and the love, to paint the succession hill-valley, as representative for the Romanian geographic and spiritual space („spațiul mioritic”).