This study aimes to reveal the autofictional lirical mecanismes behind the anxiety of personal creation in the case of the poet Ştefan Bolea, one of the most anarchique undergound romanian artists. Thus is argued that his creation stand up to a lyrical anamnesis (from the greek „anamnesis”, memory of ideas, people or events in a previous existence), carriyng behind a trully maieutical spiritual mechanism. Acordingly, it unveils both an imaginary pre-Christian teleology and a post- Christian declared anthropology: namely the Tarot cards archetipal displays, the medieval „Morality plays” (the public performances of medieval “Everyman” spectacles including teleological entity/masks of „God”, „The Messenger”, „Death”, „Everyman”, „Knowledge”, ”Beauty” and ”Strength”). By reffering to the Bafomet typology focusing on the „scapegoat”, Ştefan Bolea reactivates the so-called sparagmos ritual (from the Greek. „laceration of the victim”), which redefines perfectly the post-modern creation.