This article suggests an approach of the Eminescu`s posterity and an approach of the relationships between writers by appealing to the Bloom`s canonical theory and to the concept of „anxiety of influence”, so this promotes the idea that the strong poets (this is the case of Lucian Blaga) are building the literary history and the aesthetical canon through „bad readings” of the other poets, like Eminescu, as a center of the national canon. The inter-war poet is operating some rewritings of the precursor`s model, giving it a reestablishment and a restarting in a new meaningful circuit. The creative revision in comparison with the „father-poet” (in the understanding of Harold Bloom) discloses, from a point of view, the sentencing to continue Eminescu`spoetical tradition but, from another point of view, it discloses the „creative correction ” made by the „son-poet”. Thus, Blaga overtakes the poetical tradition which was established by predecessor, and this is possible by its assimilation and continuation in a new poetical direction.