<?xml version='1.0' encoding='utf-8'?>
<oai_dc:dc xmlns:dc='http://purl.org/dc/elements/1.1/' xmlns:oai_dc='http://www.openarchives.org/OAI/2.0/oai_dc/' xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xsi:schemaLocation='http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd'>
<dc:creator>Demenescu, L.</dc:creator>
<dc:date>2009-12-24</dc:date>
<dc:description xml:lang='en'><p>Due to the special historical and socio-cultural situations in which the Byzantine religious music developed, adopted particularly by the Southeastern nations, it received a new expression and dimension, a specific individuality, original and specific to its adoptive nations. Regarded overall, all these nations are - from the point o f view o f religious music &mdash; a similar spiritual community, as the last researches of compared southeastern folklore prove, each o f them contributing with its original and specific share to the crystallization of its own national religious music.</p></dc:description>
<dc:source>Artă şi Educaţie Artistică   (3-4) 17-20</dc:source>
<dc:title>Cantarea de strană bănăţeană in contextul istorico-geografic de după secolul al VlI-lea</dc:title>
<dc:type>info:eu-repo/semantics/article</dc:type>
</oai_dc:dc>