Articolul precedent |
Articolul urmator |
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Căutarea după subiecte similare conform CZU |
821.161.1-2.09”18/19”CehovA.:7.035.93 (1) |
Literatură slavă (slavonă) de Est (Literatură rusă, Literatură ucraineană, Literatură bielorusă) (376) |
Perioade și faze artistice. Școli, stiluri, influențe (60) |
![]() SAJTER, Laura. Caracteristicile stilului art nouveau în piesa Ursul de A. P. Cehov. In: Quality teaching for future, Ed. IX, 24-25 martie 2023, Bălți. Bălți: Universitatea de Stat „Alecu Russo" din Bălţi, 2023, pp. 266-277. ISBN 978-9975-3596-2-7. |
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Quality teaching for future 2023 | ||||||
Simpozionul "Quality teaching for future" IX, Bălți, Moldova, 24-25 martie 2023 | ||||||
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CZU: 821.161.1-2.09”18/19”CehovA.:7.035.93 | ||||||
Pag. 266-277 | ||||||
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Rezumat | ||||||
The comedic play The Bear (1888) by A. P. Chekhov is analyzed from the point of view of modernism, of the literary Art Nouveau Style. The organizing principles of Art Nouveau dramatic work are stylization, decorativeness, and meandering, which manifest themselves both at the textual level and at the global level. After a brief review of the Art Nouveau characteristics in the dramatic text, the analysis of Chekhov's text follows based on the previously presented model. The conclusion is that both the components of the textual level (especially the literary genre - one-act comedy - and the monologues) as well as the two main characters (global level) suggest an ambivalent world in which the petty games of the protagonists are revealed and the pure truth emerges, the law that dominates the woman-man relationship. By revealing the extremes in this farce, the inevitable contradictions of human life are presented, revealing serious questions about the meaning of human existence. |
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Cuvinte-cheie Art Nouveau style, components of the textual level, literary genre, stil Art Nouveau, componente ale nivelului textual, gen literar |
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