This study aimed at critical stake the re-reading of the antidogmatic and reforming dramatic structures that were able to confgure a literary phenomenon in the 1960s in Bessarabia. Reconsideration of the dramaturgy of the 1960s helped us to appreciate both the dimensions of the anti-canonical confrontation, reshaing axiologically the official hierarchies so that the plays resist the esthetical testing, and to evaluate the dramatic texts of I. Druţă The Traditional Living Room (Casa Mare) and A. Busuioc Radu Ştefan, First and Last in order to demonstrate that their presence in the national canon was not conjectural, but axiologically founded. In spite of the prejudice of gender inconsistency in this space, we have revealed the creations that succeed in remodernizing the Bessarabian dramaturgy, representing a moment of impact that cracked the monochrome block of socialist realism, and then subsutuit him, transforming into a period synonymous with a literary era. Investigating the original status of these dramatic texts, which in the 1960s imposed reformers on bipolar universes and major ethical pathos in a new post-communist era, is not exempt from the sociocritical confrontation of two historical visions: the Soviet cultural field with with totalitarian ideological mythologems and postmodern field that repudiates manicheist rhetoric or maximalist sermons and detracts from moral life, establishing a new way of reporting values and new pluralistic and pragmatic norms, a new ethical culture.