The work contains thorough information concerning the development of pianistic art in Moldova and its interpretation by numerous piano teachers at different stages o f its development. There is a definite connection between the past and the present o f the piano interpretative art in Moldova. On the one hand the author gives a survey o f a competition of young musicians held in 1950 with great success. On the other hand he touches upon the problem of the present music school. The experience o f some higher musical school masters is characterized, associating their teaching and concert activities. In this article it is described the concert life of the Conservatoire on the basis o f the available concert posters, with the programs of the leading professors such as: L. Vaverco, L. Levinnzon, A. Sokovnin, E. Revzo, O. Dain, M. Silkina, O. Silkina.