The cinematic style of the play ,,Dangerous Liaisons” combines the style of the original novel by Choderlos de Laclos and the particular elements of the styles from XVIII-XIX centuries. The mystical black and white cinematic style of the play ,,Hamlet”, staged up in the era of globalization and postmodernism, reveals the mystic side of the Shakespearian tragedy. Fragmentary scenes involving stylistic hierarchy of stage space, music and dramatic performance style confer to ,,Anna Karenina” its polysemantic cinematic style in the postmodernist era. The cinematic metaphorical and symbolist style of philosophical stage action arises out of the combination of different style in ,,Brothers Karamazov”. Cinematic fragmentation, mixing different eras fit into the modern system of Art in the time of globalization.