For quite a long time, classifications of television documentary productions started from the similarities and differences between the documentary and the TV documentary film. The real "transfiguration" of the nonfiction film was manifested in the era of digital revolution. Hybridization of postmodern television communication and of the interactivity concept, promoted by the new media, has gained ground and led to new structures of audiovisual type. Numerous researchers show that the quality of information is losing ground in favour of the visual impact. At the same time, the documentary film has to observe and obey the new rules, adapted for surviving on a media market increasingly subservient to facile entertainment productions.