The concert for Soprano and orchestra L-al Moldovei dulce soare by Te-odor Zgureanu was composed in 2006. The concert is dedicated to the soprano Tatiana Costiuc and was interpreted by it, for the first time in Chisinau, at the Orga Hall with the National Chamber Orchestra, directed by Denis Ceausov. The concert was inspired by the Marioara Florioara Poems of the classic Romanian literature Vasile Alecsandri, considered the greatest Romanian poet until Mihai Eminescu's assertion. This poem, dated to the autumn of 1852, was created in a short period of time, while Alecsandri was in Paris. It is dedicated to Princess Marie Cantacuzino and has as a fundamental theme the condemnation of alienation, expressed in the following lyrics: Black is foreign! Cruel is loneli-ness. The poem is conceived and written in a quasi-folkloric dimension, meet-ing the features and principles of cultured poetry combined with the language of popular poetry. The folkloric aspect is present in the detailed description of the nature of the Moldavian Plai and the beauty of the girls on this land, in the char-acter of the verse, the rhymes, in the epic-legendary subject, reported in 6 long chapters. Vasile Alecsandri has elaborated here a dramaturgic spectrum, in which the real and the ghost aspects are interwoven (the end is mystical, characteristic for the romantic ballads), the lyric-psychological line (the experiences of the Mărioara), the dramatic (the separation of the little girl, the native plain). The composer Teodor Zgureanu took over this poem only certain aspects, focusing his attention in particular on the souls and feelings of Marioara. The epic content, dominant in Alecsandri, is diminished in the concert of T. Zgureanu in favor of the lyrical-dramatic one. The composer resorted to certain discounts of the poetic text, omitted many of the verses in which the poet developed the mystical, ballad line. Although it seems that the lyric-psychological dimension has interested him and worried him completely, however, the composer took over the epic content of the poem and the descriptive, pastoral-positive moments.