The approach to the inner life of man by the seventh art through detail shots and foreground ones resulted in the “eye in eye” effect, as a result of which the viewer found his double, alleviating the desolate loneliness in the rush of galloping sociocultural metamorphoses of the 20th century. Thus, the enlightening mission of the seventh art was proliferated, which through the white screen, revealed to humanity the polychromatic palette of Earth’s human offspring. Regarding the contribution of the Moldovan film to this domain, we note with satisfaction the widening of the anthropological range by launching a psycho-cultural type of an original parentage – the nostalgic hero. The actors Sandri Ion Şcurea and Serghei Lunchevici competed in this performance. Through their inspired roles, they managed to capitalize on the hierarchy of spiritual values of the nation, sealed in the vocation of transcendence and cosmicization, of the “thirst for eternity” (M. Eliade), the spiritualization of the tragic, the mioritic catharsis, the nostalgia of the heroic consecration, etc.