We aim to analyze the role of the famous figure Figaro in the dramaturgy of Pierre August Caron de Beaumarchais, and the way it is also translated into the opera musical creation. Thus, on the stage, an author dares to bring in the foreground a man from the people who asserts that the nobles thought they were good when they did not do you a direct evil, that the servants had moral qualities that served the masters, that in the given society you can do any pity, without being punished, if you have a title or an official situation. Deprivation of liberty, the inferior status of women, are two of the most important issues dealt with. Figaro appears as a true prosecutor opposing despotism - freedom and privileges - equality. Over time, it was found that the aesthetic ideal influenced the pedagogical ideal, that art played the role of orderer of the human spirit and represented a fundamental means in the evolution of social life.