The interpretive ethnological model “The Decalogue and Harmonizing Hermeneutic Maxims of Obligatoriness: An Aspect of Upbringing” is developed within the framework of a noetic interdisciplinary system of our four concepts (concept of humanization of myth; concept of megamodern; concept of ethicizing mythological consciousness; concept of aesthetic meaning). This system is based on the works by many outstanding scholars, including the achievements of interpretive (hermeneutic) anthropology by C. Geertz, the ideas of J.J. Wunenburger, K. Hubner, V. Frankl, E. Fromm, N. Berdyaev, J. Ortega y Gasset, K. Jaspers, etc. In the interpretative model, the eight “implicit principles of upbringing (world perception, behavior) according to the Decalogue” revealed by us are applied: these principles are based on the concept of man and the Universe represented in the Ten Commandments. This model allows examining distinct hermeneutic maxims as a sort of ethnocultural specificity of shaping the epoch of “new humanism for the 21st century” (UNESCO). A Family Portrait in the Midst of Chisinau Landscape, memoir prose by Susanna Cușnir, is examined according to this model. One of the revealed hermeneutic maxims reads: “The Universe is such that man can follow his creative impulses at any age”.