Not only from the need to search for a paradigm or the ambition of finding a new authenticity, poetry often resorts to certain self-abnegation or even so-called "self-denials" of the self, such as Victor Teleuca, in "Piramida Singurătății (The Pyramid of Loneliness)," or " Ninge la o margine de existență (Snow on the Edge of Existence)." At Leonida Lari we are dealing with another condition in this sense. Without completely abandoning a poetry of the imaginary, seen from the start in " Piața Diolei (Diol Square)", the poet sometimes puts into play the antipoetry of life and reality, orchestrated, however, with such a mastery that fiction yields, as if it were self-definition of objectivity, including the relevance of the nonsense of life, reality, history. The phenomenon is all the more characteristic, if we refer to the publicistic poetry, civic - formula by which L. Lari demonstrates two other abilities: Gives the species the chance to rehabilitate, on the other hand, responds to the guild's amendments, offers a poetry of objectivity, focused on the energized word.