Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
504 10 |
Ultima descărcare din IBN: 2023-07-03 10:05 |
Căutarea după subiecte similare conform CZU |
821.135.1-34.09 (19) |
Literature of Balkan Romance / Romanic languages (2112) |
SM ISO690:2012 GÎRLEA, Olesea, GAVRILOV, Anatolie. Cronotopuri malefice în opera lui Ion Creangă. In: Philologia, 2021, nr. 3(315), pp. 38-49. ISSN 1857-4300. DOI: https://doi.org/10.52505/1857-4300.2021.3(315).04 |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Philologia | |||||||
Numărul 3(315) / 2021 / ISSN 1857-4300 /ISSNe 2587-3717 | |||||||
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DOI:https://doi.org/10.52505/1857-4300.2021.3(315).04 | |||||||
CZU: 821.135.1-34.09 | |||||||
Pag. 38-49 | |||||||
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Rezumat | |||||||
The article focuses on the notions of structural elements of the chronotope developed by M. Bakhtin and applied in the stories of the Romanian writer Ion Creanga from the perspective of the imaginary, namely: challenge, chance, nature, landscape, heroes' pilgrimage, road, threshold. Overpassing evil places such as the forest, places haunted by devils, the pond, the pub are clues in the rounding of the character. The idea of good and evil spaces is strongly anchored in the collective unconscious according to the principle of splitting and differentiation between opposites. The evil spaces in Ion Creanga's stories are places of voluntary or involuntary challenge in which the initiation and rounding of the characters takes place. |
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Cuvinte-cheie chronotope, collective unconscious, evil space, initiation, becoming, cronotop, inconștient colectiv, spațiu nefast, iniţiere, devenire |
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