Choral singing belongs to one of the most widespread forms of inter-pretation of the art of music. Underlying it are the characteristic legitimacies for any interpretive musical art as a creative process and for processing musical creation through the interpretive means characteristic of choral voices. Unlike other arts: painting, sculpture, music, especially choral, as a temporal art, which reflects reality through sound artistic images, it needs the special mediation of performers. The result of the interpretation depends on a number of objective and subjective factors, among which the most important must be considered: the professionalism of the conductor with his ability and ability to use new methods of working with the choir, the technical training of choir participants, their ability to convey emotionally. the artistic image, the disposition of the musical creation. In this article, the author proposes the results of the research of the problem of working on musical creation in order to train the future conductor, to transmit the artistic message to the receiver.