The study discusses the interaction between the creative osmoses of two aspects of creation: Matei Vişniec-the journalist and Vişniec-the writer, starting from the analysis of the novel Preventive disorder (2011) and of the reportages included in Chronicles of the stirring ideas (2010). The complex set of the established semiotic codes, conventions and values the journalist analyses and makes use of are superposed upon the narrative strategies of the writer, while, in his turn, the writer influences the journalist with his writings. Changing of the optical lenses of the writer with those of the journalist and, respectively, those of the journalist with the instruments of the writer occurs along the whole above-mentioned manifest-novel – Preventive disorder. Even if radio broadcastings provide the immediate and the instaneous, they tend to escape the “tyrany of the present state “ (Régis Debray) towards the profoundness and concentration of the artistic imaginary.