Articolul precedent |
Articolul urmator |
255 8 |
Ultima descărcare din IBN: 2024-03-27 13:13 |
Căutarea după subiecte similare conform CZU |
75(498)”19” (1) |
Painting (411) |
SM ISO690:2012 URSACHI, Rodica. Componenta teoretică și artistico-plastică în creația pictorului nicolae tonitza . In: Probleme ale științelor socioumanistice și modernizării învățământului, Ed. 24, 25 martie 2022, Chişinău. Chişinău: CEP UPS „I.Creangă”, 2022, Seria 24, Vol.3, pp. 286-290. ISBN 978-9975-46-651-6; 978-9975-46-654-7. DOI: https://doi.org/10.46728/c.v3.25-03-2022.p286-290 |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Probleme ale științelor socioumanistice și modernizării învățământului Seria 24, Vol.3, 2022 |
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Conferința "Probleme ale științelor socioumanistice și ale modernizării învățământului" 24, Chişinău, Moldova, 25 martie 2022 | ||||||
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DOI:https://doi.org/10.46728/c.v3.25-03-2022.p286-290 | ||||||
CZU: 75(498)”19” | ||||||
Pag. 286-290 | ||||||
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Rezumat | ||||||
The creation of the plastic artist Nicolae Tonitza is focused on two components - theoretical and artistic. Theoretically, Tonitza worked as an artistic columnist and publicist for various magazines and newspapers "Cuvântul liber", "Facla", "Socialismul" and others. His chronicles initially had a polemical character with a sociopolitical accent, and later, a "stylistic" one, with a national aspect. The artistic activity is focused on two genres graphics and painting. The thematic register is varied and includes military and social subjects, portraits of children, nudes, landscapes, the reason for the holiday etc. Stylistically, his creation reveals affinities of expressionism, Cezannian cubism, folk art, etc. |
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Cuvinte-cheie painting, chronicle, artistic, chromatic, plastic |
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Cerif XML Export
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