In this article the author refers to a critical text about the novel „The Broken Flight” by Vladimir Besleaga. That is one of the studies that are included in Alexander Burlacu’s book “Vladimir Besleaga: The Po(i)ethics of the novel”. The author tries to follow some metatextual methods, to identify the conceptual and structural register of interpretations made by the critic after reading this novel. The author is also interested in the openings to comparative studies, Bakhtin’s perspectives and particularly his approaches to the novel. There are to appreciate the distance from the text and author and to evaluate those objective intentions. However, the author liked the organization and organicity of the writing that often avoids unnecessary incisiveness which is so popular today.