Articolul precedent |
Articolul urmator |
323 6 |
Ultima descărcare din IBN: 2023-04-09 21:29 |
Căutarea după subiecte similare conform CZU |
78.071.1(470) (6) |
Music (1833) |
SM ISO690:2012 ГОРБУНОВА, Наталья. Тайм-аут для Скрябина (образ композитора в советском музыкальном журнале сталинской эпохи). In: Învățământul artistic – dimensiuni culturale, 15 aprilie 2022, Chişinău. Chișinău, Republica Moldova: "Notograf Prim" SRL, 2022, pp. 51-56. ISBN 978-9975-84-176-4. DOI: https://doi.org/10.55383/iadc2022.10 |
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Învățământul artistic – dimensiuni culturale 2022 | ||||||
Conferința "Învăţământul artistic – dimensiuni culturale" Chişinău, Moldova, 15 aprilie 2022 | ||||||
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DOI:https://doi.org/10.55383/iadc2022.10 | ||||||
CZU: 78.071.1(470) | ||||||
Pag. 51-56 | ||||||
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During the Stalin era, interest in the composer Scriabin noticeably weakened compared to the 1910s and 1920s. Nevertheless, the discussion of his works and personality continued. Particularly, in the 1930s and 1940s, his role in the Soviet vision of world art was formed. In the specialized music journal „Soviet Music” during those years, the Soviet myth of Scriabin was constructed. For this purpose, the epistolary heritage and early writings were studied, his work and the influence of Russian culture on him were discussed — as a result, the image of a deluded genius was created. |
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Cuvinte-cheie советская музыка, музыкальный журнал, конструирование советского, социалистический реализм в музыке, Скрябин, journal „Soviet Music”, construction of the Soviet concept, socialist realism in music, receptive research, Scriabin, muzică sovietică, jurnal de muzică, construcţia conceptului sovietic, realismul socialist în muzică, cercetare receptivă, Scriabin |
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