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| Ultima descărcare din IBN: 2022-12-08 09:31 |
| Căutarea după subiecte similare conform CZU |
| 821.135.1.09 (635) |
| Литература на балканских романских языках (2112) |
 SM ISO690:2012ROŞCA, Timofei. Leonida Lari : strategia tranzitivității și recuperarea de sine a poeziei. In: Intertext , 2019, nr. 3-4(51-52), pp. 140-144. ISSN 1857-3711. |
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| Intertext | ||||||
| Numărul 3-4(51-52) / 2019 / ISSN 1857-3711 /ISSNe 2345-1750 | ||||||
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| CZU: 821.135.1.09 | ||||||
| Pag. 140-144 | ||||||
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Not only from the need to search for a paradigm or the ambition of finding a new authenticity, poetry often resorts to certain self-abnegation or even so-called "self-denials" of the self, such as Victor Teleuca, in "Piramida Singurătății (The Pyramid of Loneliness)," or " Ninge la o margine de existență (Snow on the Edge of Existence)." At Leonida Lari we are dealing with another condition in this sense. Without completely abandoning a poetry of the imaginary, seen from the start in " Piața Diolei (Diol Square)", the poet sometimes puts into play the antipoetry of life and reality, orchestrated, however, with such a mastery that fiction yields, as if it were self-definition of objectivity, including the relevance of the nonsense of life, reality, history. The phenomenon is all the more characteristic, if we refer to the publicistic poetry, civic - formula by which L. Lari demonstrates two other abilities: Gives the species the chance to rehabilitate, on the other hand, responds to the guild's amendments, offers a poetry of objectivity, focused on the energized word. |
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| Cuvinte-cheie antipoetry, fiction, objectivity, self-abnegation, publicistic, civic, strategy, energized word |
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Dublin Core Export
<?xml version='1.0' encoding='utf-8'?> <oai_dc:dc xmlns:dc='http://purl.org/dc/elements/1.1/' xmlns:oai_dc='http://www.openarchives.org/OAI/2.0/oai_dc/' xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xsi:schemaLocation='http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd'> <dc:creator>Roşca, T.V.</dc:creator> <dc:date>2019-12-06</dc:date> <dc:description xml:lang='en'><p>Not only from the need to search for a paradigm or the ambition of finding a new authenticity, poetry often resorts to certain self-abnegation or even so-called "self-denials" of the self, such as Victor Teleuca, in "Piramida Singurătății (The Pyramid of Loneliness)," or " Ninge la o margine de existență (Snow on the Edge of Existence)." At Leonida Lari we are dealing with another condition in this sense. Without completely abandoning a poetry of the imaginary, seen from the start in " Piața Diolei (Diol Square)", the poet sometimes puts into play the antipoetry of life and reality, orchestrated, however, with such a mastery that fiction yields, as if it were self-definition of objectivity, including the relevance of the nonsense of life, reality, history. The phenomenon is all the more characteristic, if we refer to the publicistic poetry, civic - formula by which L. Lari demonstrates two other abilities: Gives the species the chance to rehabilitate, on the other hand, responds to the guild's amendments, offers a poetry of objectivity, focused on the energized word.</p></dc:description> <dc:source>Intertext 51-52 (3-4) 140-144</dc:source> <dc:subject>antipoetry</dc:subject> <dc:subject>fiction</dc:subject> <dc:subject>objectivity</dc:subject> <dc:subject>self-abnegation</dc:subject> <dc:subject>publicistic</dc:subject> <dc:subject>civic</dc:subject> <dc:subject>strategy</dc:subject> <dc:subject>energized word</dc:subject> <dc:title>Leonida Lari : strategia tranzitivității și recuperarea de sine a poeziei</dc:title> <dc:type>info:eu-repo/semantics/article</dc:type> </oai_dc:dc>
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