The author ascertains that the mirror effect can be raised to the rang of ontological principle, because he goes through all levels and ontological ways, and simultaneously incorporates the cause and effect. The writing is, in one way or other, a result of the reflected effect expressed through the transmitting of the sacred codes (codes of species) from one generation to an other. Even the creation of the Universe is a result of this effect, and the ontology of the writing is closely bound by this. In the sacred period of the humanity, when the consciousnesses has not been awaken yet, the hand was the orphan of thought and creation. The stages of the remoteness of the sacred signified the progressive evolution of the consciousnesses and, implicitly, the forms of the writings. Kant and Bergson’s works, opposite by their conception, together constitute, however, the integral picture of the ontology of the writing.