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<creators>
<creator>
<creatorName>Bulat, V.</creatorName>
<affiliation>Academia de Muzică, Teatru şi Arte Plastice, Moldova, Republica</affiliation>
</creator>
</creators>
<titles>
<title xml:lang='ro'>Rolul culorii in scenografia filmului de ficţiune</title>
</titles>
<publisher>Instrumentul Bibliometric National</publisher>
<publicationYear>2020</publicationYear>
<relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>2345-1408</relatedIdentifier>
<subjects>
<subject>scenografie</subject>
<subject>culoare</subject>
<subject>tonalitate</subject>
<subject>lumină</subject>
<subject>psihologie</subject>
<subject>emoţie</subject>
<subject>gamă de culoare</subject>
<subject>scenography</subject>
<subject>color</subject>
<subject>tone</subject>
<subject>light</subject>
<subject>psychology</subject>
<subject>emotion</subject>
<subject>palette of colors</subject>
<subject schemeURI='http://udcdata.info/' subjectScheme='UDC'>791.221/228.021+791.63.017.4</subject>
</subjects>
<dates>
<date dateType='Issued'>2020-08-06</date>
</dates>
<resourceType resourceTypeGeneral='Text'>Journal article</resourceType>
<descriptions>
<description xml:lang='ro' descriptionType='Abstract'><p>Gama coloristică, &icirc;n sens dramaturgic, are un rol semnificativ &icirc;n generarea substanţei emotive, &icirc;n psihologia perceperii discursului cinematografic. De aici &ndash; şi rolul important al creaţiei pictorului-scenograf, care propune dramaturgia şi temperatura gamei coloristice ca părţi constitutive ale stării psihologice şi ritmului &icirc;ntregului film. &Icirc;n linii generale, activitatea pictoruluiscenograf &icirc;ntr-un film de ficţiune include g&acirc;ndirea şi construirea decorului, &bdquo;regizarea&rdquo; culorii, luminii şi altor elemente ce vor ,,deservi&rdquo; creativ dramaturgia filmului, dinamica caracterologică, contextul timpului etc.</p></description>
<description xml:lang='en' descriptionType='Abstract'><p>The color palette, from the dramaturgical viewpoint, has a significant role in generating the emotive substance in the psychology of cinema speech perception. Here from follows the importance of the painter-scenographer&rsquo;s creation who proposes the dramaturgy and temperature of the color palette as constitutive parts of the psychological condition and the rhythm of the whole film. In general, the activity of a scenographer in a fiction film includes the design and construction of the scenery, the &ldquo;direction&rdquo; of color, light and other elements which will creatively &ldquo;serve&rdquo; the film dramaturgy, the characterological dynamics, time context etc.</p></description>
</descriptions>
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<format>application/pdf</format>
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