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<creators>
<creator>
<creatorName>Catereva, I.</creatorName>
<affiliation>Academia de Muzică, Teatru şi Arte Plastice, Moldova, Republica</affiliation>
</creator>
</creators>
<titles>
<title xml:lang='ro'>Expresivitatea supraindividuală a actorului</title>
</titles>
<publisher>Instrumentul Bibliometric National</publisher>
<publicationYear>2013</publicationYear>
<relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>1857-2251</relatedIdentifier>
<subjects>
<subject>mijloacele transcendentale de expresivitate a actorului</subject>
<subject>esenţa spirituală a teatrului</subject>
<subject>expresivitatea orală şi corporală a actorului</subject>
<subject>actorul-om</subject>
<subject>limbajul general uman al expresivităţii actoriceşti</subject>
</subjects>
<dates>
<date dateType='Issued'>2013-01-02</date>
</dates>
<resourceType resourceTypeGeneral='Text'>Journal article</resourceType>
<descriptions>
<description xml:lang='ro' descriptionType='Abstract'>Mijloacele transcendentale de expresivitate a actorului reprezintă un fenomen unic, ce a luat naştere în teatrul european din a doua jumătate a secolului al XX-lea. Apariţia lor a fost condiţionată de o treaptă nouă în dezvoltarea artei teatrale, care a reflectat ideile sociale progresiste, direcţionate spre descoperirea unui arhetip al teatrului general uman.</description>
<description xml:lang='en' descriptionType='Abstract'>Transcendental means of expressiveness of the actor is a unique phenomenon has been formed in the European theatrical art of the second half of the 20th century. Their appearance depended on a new stage in the development of theatre art that reflected progressive social ideas directed to the discovery of an archetype of the general human theatre.</description>
</descriptions>
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