Articolul precedent |
Articolul urmator |
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![]() MALARCIUC, Ludmila. Principiile fundamentale de creare a designului subordonate compoziției. In: Probleme actuale ale ştiinţelor umanistice.: Analele științifice ale doctoranzilor și competitorilor, Ed. 16, 1 ianuarie 2019, Chişinău. Chișinău: Tipogr. UPS "Ion Creangă", 2017, Vol.16, Partea 1, pp. 162-171. ISBN 978-9975-46-347-8. ISSN 1857-0267. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Probleme actuale ale ştiinţelor umanistice. Vol.16, Partea 1, 2017 |
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Conferința "Probleme actuale ale ştiinţelor umanistice." 16, Chişinău, Moldova, 1 ianuarie 2019 | |||||
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Pag. 162-171 | |||||
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Rezumat | |||||
Watching analysis of the "structure" of the shapes and the sense of relationship among elements of an artistic composition, we can conclude that the main question remained unanswered - what is an ideal composition and how to determine its aesthetic qualities? Composition theory remains a set of means, methods, techniques that were discovered empirically in the process of architectural and decorative practice, and therefore may help the designer to create expressive forms. It proposes some compositional means - tools, that the designer can use on his opinion. These are - the proportion of objects, the nature of plasticity, organization of rhythm and color, ratio, static and dynamic, symmetry, contrast, hue and many other categories, which in combination give the result of an infinite number of variants and solutions. |
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Cuvinte-cheie proportioning, nature of plasticity, color and rhythmic organization, Ratio, Balance, directing attention, static, dynamic, symmetry, contrast, hue, organization of shapes |
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