The complexity of the relationship between art and the technological environment is richer than ever, in the context of a contemporary ultra-technological culture, structurally dependent on the media and responsible for relativizing the critical positioning of the art consumer. Defining its informational behavior and the premises of the interaction with the technologically interfaced world of art, the user (reader) of the Internet as a medium of expression is, equally, a consumer and a producer of information-content. In this paradigm, the present study specifies the constants of the relationship between art and theology, identifying the conditions of the cultural digestion process mediated by the informational structure of the Internet, accepted as a sovereign technological environment. Relying on the plurality and hybridization of the formats of content, and also on the interactivity and the collaboration as constructive vector-relationships, the internet-art is a natural consequence of the professional artistic practices of integration and creative appropriation of the specific contemporary media.