Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”
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2024-02-05 19:23
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821.161.1.09-3”18” (4)
Literatură slavă (slavonă) de Est (Literatură rusă, Literatură ucraineană, Literatură bielorusă) (373)
SM ISO690:2012
ДЬЯКОВ, Дмитрий. Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”. In: Interuniversitaria, Ed. 15, 23 aprilie 2019, Bălți. Bălți, Republica Moldova: Universitatea de Stat „Alecu Russo" din Bălţi, 2019, Ediția 15, Vol.2, pp. 43-48. ISBN 978-9975-50-241-2.
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Interuniversitaria
Ediția 15, Vol.2, 2019
Colocviul "Interuniversitaria"
15, Bălți, Moldova, 23 aprilie 2019

Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”

CZU: 821.161.1.09-3”18”

Pag. 43-48

Дьяков Дмитрий
 
Бельцкий Государственный Университет "Алеку Руссо"
 
 
Disponibil în IBN: 26 decembrie 2020


Rezumat

The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc.

Cuvinte-cheie
polyphony, counterpoint, monologue, tragedy, character portrayal.

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