| Articolul precedent |
| Articolul urmator |
 |
 388 3 |
| Ultima descărcare din IBN: 2024-02-05 19:23 |
| Căutarea după subiecte similare conform CZU |
| 821.161.1.09-3”18” (4) |
| Literatură slavă (slavonă) de Est (Literatură rusă, Literatură ucraineană, Literatură bielorusă) (373) |
 SM ISO690:2012ДЬЯКОВ, Дмитрий. Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”. In: Interuniversitaria, Ed. 15, 23 aprilie 2019, Bălți. Bălți, Republica Moldova: Universitatea de Stat „Alecu Russo" din Bălţi, 2019, Ediția 15, Vol.2, pp. 43-48. ISBN 978-9975-50-241-2. |
| EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
| Interuniversitaria Ediția 15, Vol.2, 2019 |
||||||
|
Colocviul "Interuniversitaria" 15, Bălți, Moldova, 23 aprilie 2019 | ||||||
|
||||||
| CZU: 821.161.1.09-3”18” | ||||||
| Pag. 43-48 | ||||||
|
||||||
 Descarcă PDF |
||||||
| Rezumat | ||||||
The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc. |
||||||
| Cuvinte-cheie polyphony, counterpoint, monologue, tragedy, character portrayal. |
||||||
|
Cerif XML Export
<?xml version='1.0' encoding='utf-8'?> <CERIF xmlns='urn:xmlns:org:eurocris:cerif-1.5-1' xsi:schemaLocation='urn:xmlns:org:eurocris:cerif-1.5-1 http://www.eurocris.org/Uploads/Web%20pages/CERIF-1.5/CERIF_1.5_1.xsd' xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' release='1.5' date='2012-10-07' sourceDatabase='Output Profile'> <cfResPubl> <cfResPublId>ibn-ResPubl-117748</cfResPublId> <cfResPublDate>2019</cfResPublDate> <cfVol>Ediția 15, Vol.2</cfVol> <cfStartPage>43</cfStartPage> <cfISBN>978- 9975-50-239-9</cfISBN> <cfURI>https://ibn.idsi.md/ro/vizualizare_articol/117748</cfURI> <cfTitle cfLangCode='RU' cfTrans='o'>Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”</cfTitle> <cfKeyw cfLangCode='RU' cfTrans='o'>polyphony; counterpoint; monologue; tragedy; character portrayal.</cfKeyw> <cfAbstr cfLangCode='EN' cfTrans='o'><p>The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc.</p></cfAbstr> <cfResPubl_Class> <cfClassId>eda2d9e9-34c5-11e1-b86c-0800200c9a66</cfClassId> <cfClassSchemeId>759af938-34ae-11e1-b86c-0800200c9a66</cfClassSchemeId> <cfStartDate>2019T24:00:00</cfStartDate> </cfResPubl_Class> <cfResPubl_Class> <cfClassId>e601872f-4b7e-4d88-929f-7df027b226c9</cfClassId> <cfClassSchemeId>40e90e2f-446d-460a-98e5-5dce57550c48</cfClassSchemeId> <cfStartDate>2019T24:00:00</cfStartDate> </cfResPubl_Class> <cfPers_ResPubl> <cfPersId>ibn-person-83781</cfPersId> <cfClassId>49815870-1cfe-11e1-8bc2-0800200c9a66</cfClassId> <cfClassSchemeId>b7135ad0-1d00-11e1-8bc2-0800200c9a66</cfClassSchemeId> <cfStartDate>2019T24:00:00</cfStartDate> </cfPers_ResPubl> </cfResPubl> <cfPers> <cfPersId>ibn-Pers-83781</cfPersId> <cfPersName_Pers> <cfPersNameId>ibn-PersName-83781-1</cfPersNameId> <cfClassId>55f90543-d631-42eb-8d47-d8d9266cbb26</cfClassId> <cfClassSchemeId>7375609d-cfa6-45ce-a803-75de69abe21f</cfClassSchemeId> <cfStartDate>2019T24:00:00</cfStartDate> <cfFamilyNames>Дьяков</cfFamilyNames> <cfFirstNames>Дмитрий</cfFirstNames> </cfPersName_Pers> </cfPers> </CERIF>
|
|
|
