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| Ultima descărcare din IBN: 2024-02-05 19:23 |
| Căutarea după subiecte similare conform CZU |
| 821.161.1.09-3”18” (4) |
| Literatură slavă (slavonă) de Est (Literatură rusă, Literatură ucraineană, Literatură bielorusă) (373) |
 SM ISO690:2012ДЬЯКОВ, Дмитрий. Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”. In: Interuniversitaria, Ed. 15, 23 aprilie 2019, Bălți. Bălți, Republica Moldova: Universitatea de Stat „Alecu Russo" din Bălţi, 2019, Ediția 15, Vol.2, pp. 43-48. ISBN 978-9975-50-241-2. |
| EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
| Interuniversitaria Ediția 15, Vol.2, 2019 |
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Colocviul "Interuniversitaria" 15, Bălți, Moldova, 23 aprilie 2019 | ||||||
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| CZU: 821.161.1.09-3”18” | ||||||
| Pag. 43-48 | ||||||
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The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc. |
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| Cuvinte-cheie polyphony, counterpoint, monologue, tragedy, character portrayal. |
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DataCite XML Export
<?xml version='1.0' encoding='utf-8'?> <resource xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xmlns='http://datacite.org/schema/kernel-3' xsi:schemaLocation='http://datacite.org/schema/kernel-3 http://schema.datacite.org/meta/kernel-3/metadata.xsd'> <creators> <creator> <creatorName>Diacov, D.</creatorName> <affiliation>Universitatea de Stat „Alecu Russo” din Bălţi, Moldova, Republica</affiliation> </creator> </creators> <titles> <title xml:lang='ru'>Полифония и контрапункт в „маленькой трагедии” А. Пушкина „Моцарт и Сальери”</title> </titles> <publisher>Instrumentul Bibliometric National</publisher> <publicationYear>2019</publicationYear> <relatedIdentifier relatedIdentifierType='ISBN' relationType='IsPartOf'>978- 9975-50-239-9</relatedIdentifier> <subjects> <subject>polyphony</subject> <subject>counterpoint</subject> <subject>monologue</subject> <subject>tragedy</subject> <subject>character portrayal.</subject> <subject schemeURI='http://udcdata.info/' subjectScheme='UDC'>821.161.1.09-3”18”</subject> </subjects> <dates> <date dateType='Issued'>2019</date> </dates> <resourceType resourceTypeGeneral='Text'>Conference Paper</resourceType> <descriptions> <description xml:lang='en' descriptionType='Abstract'><p>The article studies the musical structure of Pushkin’s tragedy “Mozart and Salieri”: its polyphonic character, as well as the system of counterpoints. M.Bakhtin’s theory serves as the scientific basis of the work. The author comprehensively the counterpoints analyses in Salieris monologue: genius and villainy, friendship and enmity, arts and crafts, etc.</p></description> </descriptions> <formats> <format>application/pdf</format> </formats> </resource>
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