Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
684 4 |
Ultima descărcare din IBN: 2023-05-11 11:44 |
SM ISO690:2012 BALABAN, Larisa. Liturghia de T. Zgureanu: particularităţi de compoziţie şi dramaturgie. In: Anuar ştiinţific: muzică, teatru, arte plastice, 2006, nr. 1, pp. 29-35. ISSN 1857-2251. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Anuar ştiinţific: muzică, teatru, arte plastice | ||||||
Numărul 1 / 2006 / ISSN 1857-2251 | ||||||
|
||||||
Pag. 29-35 | ||||||
|
||||||
Descarcă PDF | ||||||
Rezumat | ||||||
The author of the article analyzes problems of dramaturgy art, the structure of the Liturgy, the expressive means and devices which this Moldovan composer uses in his work. The researcher draws attention to the arsenal of expressive means and devices of the Liturgy (a sphere of intonational source — the national melos, the Byzantian liturgical melodies, melodics, the manner of composing — polyphony of sub voice and imitating polyphony, homophonic‑harmonious and heterophony basis with pedals, modality), and choral techniques. |
||||||
|
Cerif XML Export
<?xml version='1.0' encoding='utf-8'?> <CERIF xmlns='urn:xmlns:org:eurocris:cerif-1.5-1' xsi:schemaLocation='urn:xmlns:org:eurocris:cerif-1.5-1 http://www.eurocris.org/Uploads/Web%20pages/CERIF-1.5/CERIF_1.5_1.xsd' xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' release='1.5' date='2012-10-07' sourceDatabase='Output Profile'> <cfResPubl> <cfResPublId>ibn-ResPubl-46838</cfResPublId> <cfResPublDate>2006-12-22</cfResPublDate> <cfIssue>1</cfIssue> <cfStartPage>29</cfStartPage> <cfISSN>1857-2251</cfISSN> <cfURI>https://ibn.idsi.md/ro/vizualizare_articol/46838</cfURI> <cfTitle cfLangCode='RO' cfTrans='o'>Liturghia de T. Zgureanu: particularităţi de compoziţie şi dramaturgie</cfTitle> <cfAbstr cfLangCode='EN' cfTrans='o'>The author of the article analyzes problems of dramaturgy art, the structure of the Liturgy, the expressive means and devices which this Moldovan composer uses in his work. The researcher draws attention to the arsenal of expressive means and devices of the Liturgy (a sphere of intonational source — the national melos, the Byzantian liturgical melodies, melodics, the manner of composing — polyphony of sub voice and imitating polyphony, homophonic‑harmonious and heterophony basis with pedals, modality), and choral techniques. </cfAbstr> <cfResPubl_Class> <cfClassId>eda2d9e9-34c5-11e1-b86c-0800200c9a66</cfClassId> <cfClassSchemeId>759af938-34ae-11e1-b86c-0800200c9a66</cfClassSchemeId> <cfStartDate>2006-12-22T24:00:00</cfStartDate> </cfResPubl_Class> <cfResPubl_Class> <cfClassId>e601872f-4b7e-4d88-929f-7df027b226c9</cfClassId> <cfClassSchemeId>40e90e2f-446d-460a-98e5-5dce57550c48</cfClassSchemeId> <cfStartDate>2006-12-22T24:00:00</cfStartDate> </cfResPubl_Class> <cfPers_ResPubl> <cfPersId>ibn-person-11816</cfPersId> <cfClassId>49815870-1cfe-11e1-8bc2-0800200c9a66</cfClassId> <cfClassSchemeId>b7135ad0-1d00-11e1-8bc2-0800200c9a66</cfClassSchemeId> <cfStartDate>2006-12-22T24:00:00</cfStartDate> </cfPers_ResPubl> </cfResPubl> <cfPers> <cfPersId>ibn-Pers-11816</cfPersId> <cfPersName_Pers> <cfPersNameId>ibn-PersName-11816-2</cfPersNameId> <cfClassId>55f90543-d631-42eb-8d47-d8d9266cbb26</cfClassId> <cfClassSchemeId>7375609d-cfa6-45ce-a803-75de69abe21f</cfClassSchemeId> <cfStartDate>2006-12-22T24:00:00</cfStartDate> <cfFamilyNames>Балабан</cfFamilyNames> <cfFirstNames>Лариса</cfFirstNames> </cfPersName_Pers> </cfPers> </CERIF>