Articolul precedent |
Articolul urmator |
107 0 |
Căutarea după subiecte similare conform CZU |
94:75(478)”18” (1) |
Istoria generală (528) |
Pictură (407) |
SM ISO690:2012 TABUNCIC, Sergiu. Modernizarea actului pictural în Țara Moldovei în prima jumătate a secolului al XIX-lea. In: Integrare prin cercetare și inovare.: Ştiinţe umanistice și sociale, 9-10 noiembrie 2023, Chișinău. Chisinau, Republica Moldova: Centrul Editorial-Poligrafic al USM, 2023, SUS, pp. 228-233. ISBN 978-9975-62-687-3. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Integrare prin cercetare și inovare. SUS, 2023 |
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Conferința "Integrare prin cercetare și inovare." Chișinău, Moldova, 9-10 noiembrie 2023 | |||||||
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CZU: 94:75(478)”18” | |||||||
Pag. 228-233 | |||||||
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Rezumat | |||||||
Moldova went through an extensive process of modernization and integration into European civilization in the first half of the 19th century. From a cultural point of view and, in particular, from the point of view of painting this meant using Western artistic styles and aligning and synchronizing with Western Europe. In the 19th century, Romanian painting took the decisive step of breaking away from what had been house and icon painting. So, it is only natural that the first modern artists had been first house or icon painters. The so-called easel painting in oil appeared in Moldova in the late 18th century. Widespread in Western Europe since the 15th-16th centuries and with a goal different from that of traditional religious painting, the easel painting gave rise to a more secular art and to a more attentive observation of reality. Portrait painting was the most popular genre of secular art. |
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Cuvinte-cheie easel painting, modernization of painting, Moldova, portrait genre |
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