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7.01/.09.791.1/7.091/7.06/78.07 (1) |
Theory and philosophy of art. Principles of design, proportion, optical effect (109) |
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Artistic periods and phases. Schools, styles, influences (465) |
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SM ISO690:2012 BARBAS, Valeria. Virtual festivalisation in the digital (post) pandemic era. In: Scientific Collection ”InterConf”, 26-28 decembrie 2020, Manchester. Manchester, Great Britain : Peal Press Ltd., 2020, Vol. 3(39), pp. 1085-1090. ISBN 978-0-216-01072-7. |
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Scientific Collection ”InterConf” Vol. 3(39), 2020 |
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Conferința "Science and Practice: Implementation to Modern Society" Manchester, Marea Britanie, 26-28 decembrie 2020 | ||||||
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CZU: 7.01/.09.791.1/7.091/7.06/78.07 | ||||||
Pag. 1085-1090 | ||||||
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Rezumat | ||||||
The substantial impact of the COVID 19 pandemic on the global festival industry in the field of visual arts, film and music has catalyzed essential changes on several levels bringing into the light the question of a (new) format of the festival itself. In the context of the (post) pandemic world – festival industry is currently facing an unprecedented crisis, hundreds of festivals, including the most prestigious in the world being postponed or canceled. Globally, new festival format-change strategies are being developed, in which technologies could save festivals. The rapid development of technologies but also the new pandemic reality of 2020 brought to the fore the issue of the development of the festival industry - of a probable future for festivals in the online digital world. With the technological revolution, the festival industry transforms, migrates into different realities, each festival builds a distinct digital identity in the virtual postpandemic reality. |
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Cuvinte-cheie festival industry in 2020, digital identity, Virtual Reality, new media, Digital Era, pandemic COVID 2019, film festivals, virtual festivalisation |
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